Dorothy has never set her dream aside: go home!
If only he had known that an element would have been enough to make it, right there "at his feet" ... Beat his magic red shoes three times to get what he wanted most. But this she discovers only at the end, only after having met inseparable traveling companions, after overcoming challenges and obstacles that seemed insurmountable, only after having understood that to realize a dream it takes three ingredients: head, heart, courage.
I know I have red shoes, I know it would be enough for me to beat them to make my dreams come true, but I don't want to give up crossing that magical golden path that leads us to our desires step by step.
CARMEN
Coming back is a habit
For people like you
Overwhelmed and bored by the usual routine
Will you ever confess and tell your wife
That on Saturdays you’ve been sleeping with me
For the past ten years through ups and downs
But I can’t ask you
I mustn’t ask you
You’ll answer
If you like
But I can’t cry
I mustn’t cry
You’ll decide
If you like
Coming back is a habit
For people like you
Faithful and keeping the home fires burning
How will you tell your wife
That you have a son just like you
With big black eyes who’s just turned three
He’s a little boy and he can’t ask you
He mustn’t ask you
You’ll answer
If you like
But he mustn’t cry
It’s a shame to cry
You’ll give him the answer
If you know it
But I can’t ask you
I mustn’t ask you
You’ll give him the answer
If you like
But I can’t cry
I mustn’t cry
You’ll decide
If you like
October was the sweetest month
Kisses and caresses beneath the lemon tree
Grapes were our favourite loot,
The harvest a sacred family tradition.
October was the best month to see sunsets
Lighting up the sky.
Out of breath we’d rise and with the greatest of ease return to the scene
With red cheeks and a good excuse.
That crossroads, an impending decision to be taken
Rather than limbo I’d have chosen hell
If that were the price of freedom.
Heaven could wait after all
If that were the price of freedom
Leave everything and settle for nothing
The mere fact of simply existing was enough
Opening your eyes and letting yourself be carried away...
October, infinite candour
Our adolescence suspended from the seesawing motion of our hearts.
Flight became the only way out,
A leap in the dark, essential in the abyss of a new life
The crossroads, an impending decision to be taken
Rather than limbo I’d have chosen hell
If that were the price of freedom.
Heaven could wait after all
If that were the price of freedom,
Leave everything and settle for nothing
Give voice to a brand new identity
Heaven could wait after all
Wait...
Heaven could wait after all
If that were the price of freedom,
Leave everything and settle for nothing
Give voice to a brand new identity
That paradise could wait after all
We hadn’t even started living yet…….
How can anyone believe
That this city kissed by the sun and bathed by the sea
Will ever be able to forget
Old grudges and open wounds
Age-old feuds,
mothers crying for sons they will never see again
the state somewhat saddened
laying a wreath with a three-coloured sash and the words ‘missing in action’.
From behind the shutters old people and children watch
The long, emotional funeral procession
General, was this your army?
I wonder if the good Lord knows about this hell
If he has a plan to redeem it
Peace and hope, no they don’t live here
anymore it’s a huge desert
I wonder if the good Lord will forgive this silence
Can anyone really believe
That this city kissed by the sun and bathed by the sea
Will ever be able to forget
The uncalled for abuse and all the suffering
The long-standing battles waged by those who defied organized crime to the sound of music and poetry
The stunned stares of people who have seen and heard nothing
Airplanes fly, smoke trails intertwining
The airport is a disgraceful eyesore with a respectable name.
I wonder if the good Lord knows about this hell
And if he has a plan to redeem it
Peace and hope, no they don’t live here
anymore it’s a huge desert
I wonder if the good Lord will forgive this silence
I wonder if the good Lord will forgive this silence
I wonder if the good Lord will forgive Palermo
That afternoon we’d move from one couch to another
Anything we said felt cumbersome in mid August
I’d ask you to be more affectionate and show a bit of enthusiasm
While your mother made a roast in my honour
Ah that’s how I want to live, with the sun on my face
Love was something to dream of in my grandparents’ day
I remember the day we met as though it were yesterday
You were a little drunk and intent on making an impression
You talked about finances and soft loans
transfers, transactions and, alas, market research
Ah that’s how I want to live, with the sun on my face
Love was something to dream of in my grandparents day
Reigning over us was stubborn force of habit
An imperfect harmony.
Prevailing over us was deep loneliness
The power of inertia
hidden harmony
That afternoon we moved from one couch to another
While I worked out how to tell you I was leaving you
You had already fallen asleep at the 40th minute of the Roma-Lazio match
I had to see to your mother and take the dog for a walk
Ah that’s how I want to live, with the sun on my face
Love was something to dream about in my grandparents day
Reigning over us was stubborn force of habit
An imperfect harmony.
Prevailing over us was deep loneliness
The power of inertia
perverse harmony
Prevailing over us was deep loneliness
The power of inertia
Imperfect harmony
That afternoon you and the grey couch were indistinguishable
I should have known the very first time I saw you
The lady on the fifth floor
keeps a python in her living room,
a trusted watchman.
Her ex husband stands outside her front door
every night
holding a hammer
“there’s absolutely nothng to be afraid of,
to be afraid of”
is the conclusion reached by the police,
The lady on the fifth floor
takes advantage of the chaos in the city.
She always leaves home in the morning and
goes to work at a brisk pace.
“excuse me, have you by any chance seen my husband?
What colour suit was he wearing?
How many letters did he have in his pocket?”
“1, 2, 3 ...boom!”
The lady on the fifth floor
had a trained anti-rape python.
One fine day the beast
escaped from its secure den
and reached the ground floor.
Didn’t even have time
to stop his teeth from chattering with fright
did pepito, the concierge’s unfriendly,
hypertensive chiwawa.
Three months after the capture of the escaped reptile
the owner’s mysterious disappearance was discovered.
“miss, have you by any chance seen the man with the hammer”?
What colour clothes was he wearing?
How many letters did he have in his pocket?
Miss, have you by any chance seen the man with the hammer”?
What colour clothes was he wearing?
How long was he in the area?
Did he ever speak to you?”
The lady on the fifth floor was found walled up in the bathroom
a letter dated a year ago
left at the police station was absolute proof
giving precise details of the burial ritual.
But there was absolutely nothing to be afraid of
to be afraid of.
“miss, have you by any chance seen the man with the hammer”?
What colour clothes was he wearing?
How many letters did he have in his pocket?
Miss, have you by any chance seen the man with the hammer”?
What colour clothes was he wearing?
How long was he in the area?
Did he ever speak to you?”
Finale:
The man with the hammer was last seen in a bar in the centre of buenos aires.
A few months after his capture, the python went back to live in its natural habitat in thailand.
The concierge decided to adopt“tiny”a big, affectionate, sweet-tempered dog.
On the fifth floor lives mathilda, a bad-tempered woman, with an allergy to cats and relatives.
ah...and by the way...
The officers at police headquarters still keep on saying that there is absolutely nothing to worry about.
What puerile weakness
To think I had you
Caressing a rose cruelly cut
Our gazes already lost and faroff
We are desolate oceans
However hard I try
I don’t know
Who you are
What you want
Careless hands
The sensuality
Between us is a jumble of gestures
Hard-pressed you admit it, you’re tired of me
And you ask me what our initial
Euforia tasted like
Despite my efforts
I don’t know
Who you are
What you want
That it’s not only us you don’t care about
but also a past that never seems to pass
I want to know who you are
What you want from me
If you love the subtle reminder of someone
more skillful at making others suffer
My foolish love then that’s too much for me
Like a pioneer searching for who knows
What boundaries of unfaithfulness
You feel none of the normal urgency to be with me
with me alone
You can love like that if that’s how you feel
What’s your choice I’ve already made mine
But maybe even you can’t understand
Who you are
What you want
That it’s not only us you don’t care about
but also a past that never seems to pass
I want to know who you are
What you want from me
If you love the subtle reminder of someone
more skillful at making others suffer
My foolish love I’m mad about you
When you talk
mid your silences
then you kiss me
everything is more bearable
That it’s not only us you don’t care about
but also a past that never seems to pass
I want to know who you are
What you want what you want from me
If you love the subtle reminder of someone
more skillful at making others suffer
Goodbye Love and take care.
How much longer must I
keep my head above water
My husband has been out of work for a while
And along with his smile he’s said goodbye to his health and dignity.
How much longer must I
ask my children to grit their teeth
What with bread, school books, the mortgage, energy bills
I can already see another swelteringly hot summer in the city.
But Spring will return
to our poor, aged, deprived hearts and warm them.
And maybe one day they’ll give us air
At a better price than petrol
A tear of true patience
At the lottery this year the prize is a shopping voucher
How much longer must I
Carry the weight of this shame
We’ve all been sleeping in the car for a month
We’ve become strangers in the eyes of the community
But Spring will return
to our poor, saddened, sick hearts and cure them.
And maybe one day they’ll give us air
At a better price than aspirin
A justifiable dose of sheer hope
At the lottery this year the prize is a lifelong pension
That gracious fine beneath the windshield wipers
Is proof that someone still cares
What a lovely surprise between frost and fog
How warm the embrace of Providence.
And maybe one day they’ll give us air
At a better price than waste
And maybe one day they’ll give us air
At a better price than waste
How much longer must I
Ask my children to grit their teeth
Saint Valentine
Impatient Spring rushes in to catch us by surprise.
The sun is high in the sky and it’s Sunday
Wake up
Even fear is sometimes a romantic expression
A prelude to nostalgia
And you ask yourself if this is true love
Or just sheer madness
But the universe will invent
cosmic melodies for us
a soothing dawn and new orbits
come hold me tighter
and the universe will light up
with a heavenly choreography
Believe me ...
Down the streets chaotic beauty
Beckons us
The sea is clothed with smiling transparency
Wake me
Even reason is sometimes a romantic expression
The anatomy of feeling
And I wonder if your song is inspiration, talent
or simply poetry
But the universe will invent
cosmic melodies for us
a soothing dawn and new orbits
come hold me tighter
and for us the universe will invent unusual seasons
intoxicating perfumes and fairytales...
For us the universe will invent
A heavenly choreography
You can believe it
You can believe it
It was almost dawn when we caught sight of that ramshackle boat
Overflowing with people flailing their arms
A cargo of tragic hope
Of tightly packed, unlabeled lives
That night our seas would wash ashore
The rest of that composite, lifeless crew
Who will control the media madness
Distinguished words laced with pain,
Come on everybody there’s a new reality show broadcast worldwide
What’s the point of the umpteenth visit
By magicians and politicians, by your majesty
And mourners-for-rent crying, posing and despairing for three euros an hour.
And despite knowing it was a criminal act
The fishermen jointly decided to extend a hand
In defiance of the bitter consequences
Following the voice of their own conscience.
That night our seas would wash ashore
Maps, family photos, rags and a little white shoe.
Who will control this media madness
Distinguished words laced with pain,
Whatever you do don’t miss this new sensational show
What’s the point of the umpteenth visit
Paid out of courtesy and formal solidarity
Roll up roll up, ladies and gentlemen, come and see the circus of horrors.
Who will control the media madness
Distinguished words laced with pain
The Carnival parade has in store a new float full of empty promises for us
I love the summer rain
The mood is quiet and freedom is in the air.
With you smiling and not speaking
Beating time with your hands
I love the smell of water
On this hungry earth
With you grabbing my hands
And taking your first steps
This little piece of magic
Is not a dream it is not
A ruthless fabrication of fancy
And I might just be starting to think
That happiness will embrace this life
I love the summer rain
The countryside listening
The voice of old ghosts
The mountains lamenting
I love the smell of water
On this hungry earth
With you smiling and not speaking
A warm embracing look in your eyes
This little piece of magic
Is not a dream it is not
A ruthless fabrication of fancy
And I might just be starting to think
That happiness will embrace this life
Arches in E forse un giorno e Oceani deserti written by Carmen Consoli and directed by Adriano Murania.
In La notte più lunga arches written and directed by Adriano Murania.
Wind instruments in Esercito silente written by Massimo Roccaforte.
Wood in Questa piccola magia written by Carmen Consoli.
Artistic production: Gianluca Vaccaro, Massimo Roccaforte, Carmen Consoli
Executive production: Elena Guerriero per Narciso Records Sas
Management: Francesco Barbaro
Arrangements: Carmen Consoli, Massimo Roccaforte, Gianluca Vaccaro
Recorded by Gianluca Vaccaro and Toni Carbone at Kozmic Lula Studios (Catania)
Mixed by Gianluca Vaccaro presso Terminal 2 Studio (Roma)
Mastered by Tom Coyne at Sterling Sound (New York)
Photo: Paolo Leone
Assistant: Emanuele De Rossi
Look Coordinator: Francesca Figus
Stylist: Susanna Ausoni
Make up Artist: Ermanno Spera
Hair Stylist: Salvatore Filetti e Nadia Ceccarelli
Graphic projecy: Alberto Bettinetti [zanzara]
Logistics organization: Mirella Greco per Narciso Records Sas
Booking: OTRlive, v.le G. Mazzini, 119 - 00195 Roma. Tel. +39.06.372.27.54 - info@otrlive.it
Thanks to: my parents, to all the friends and enemies, who for better or for worse helped me progress.
And then: Francesco Barbaro, Patrizia Alessandria, Marcella Chiummo, Pino Barbaro, Diletta Beci, Giulia Milella, Alessandro Massara, Graziano Ostuni, Davide Benetti, Stefano Seresini, Nico Ambrosini, Emanuela Redaelli, Marta Nannipieri, Roberta Giucastro, Daniele Demartini, Massimo Battaglia, Claudia Lisa, Alessandro Calzato, Elena Zannoni, Eleonora Forastiero, Paola Francescon.
And then a special thanks to the team of “Villa Valeria”: Giuliana Pennisi, Alfio Pagliaro, Claudia Pagliaro, Carmelo e Germana Testai, Enza Lipani, Lorella Lima e Giacomo Bonanno, Melina e Franco Caliò.
Ed. Mus. Narciso Records sas / Universal Music Italia s.r.l. excpet Oceani Deserti: Narciso Records sas / Universal Music Italia s.r.l. / Linea Due
P) 2015 Universal Music Italia s.r.l.
C) 2015 Universal Music Italia s.r.l.