"Suonando all'estero mi sono resa conto del fatto che l'artista che si presenta con il proprio stile 'esotico' suscita maggiori attenzioni di quello che scimmiotta, magari anche bene, certi consolidati schemi rock o elettronici; non cambierei me stessa per farmi maggiormente notare, è ovvio, ma questa presa di coscienza mi ha spronato ancor più a seguire le mie naturali inclinazioni. Ecco quindi il mandolino, il contrabbasso, il piffero, il bouzouki, il santur, il duduk e altri strumenti africani utilizzati però con approccio 'rock': perché rock significa energia e destabilizzazione, e dunque una chitarra accarezzata o una melodia inattesa possono essere molto più 'di rottura' della scontatezza di determinate distorsioni e assalti ritmici.
Quest'album è nato proprio come nacque, dieci anni fa, DUE PAROLE: l'ho scritto con la chitarra acustica, isolandomi. Un rapporto tra me e me. Infatti mi sono rivista nella mia stanzetta che canto sottovoce per non svegliare i miei genitori o i miei vicini di stanza dell'albergo dove alloggiavo. I primi pezzi che ho presentato alla band, l'anno scorso, avevano assunto una veste elettrica: Signor Tentenna, per dirne uno, sembrava Per niente stanca. Poi la situazione è cambiata, e quando ci siamo trovati tutti a Catania per arrangiare e incidere, l'acustico ha prevalso: mi ricordo serate intere nelle quali io suonavo da sola e i ragazzi mi ascoltavano per capire i brani e trovare il modo migliore per metterci mano rispettandone l'intenzione e la spontaneità. Dei dieci episodi, il più vecchio è Sulle rive di Morfeo, che risale al luglio del 2004... Poi è stata la volta de La dolce attesa, Piccolo Cesare, Tutto su Eva, Signor Tentenna e Il pendio dell'abbandono. Più avanti, nell'estate 2005, sono arrivati Preghiera in Gola, Madre Terra - ad agosto, quando Angelique Kidjo è venuta a farmi visita per una settimana - e infine Il sorriso di Atlantide e Maria Catena."
* tratto da Carmen Consoli - Quello che sento, F. Guglielmi - GIUNTI Editore 2006
Look into my eyes
Remove all lies and deceit
That aura of purity betrays diabolical anomalies
And you know what I mean
And what I need
And yet you’ll have the cheek
To call facts mere chance events
Greed and duplicity conspire with the utmost cruelty
And you know what I mean
And you know that lying doesn’t right a wrong
You’ll cry and stage the umpteenth drama
With tears running down your burning cheeks
Eve
And you’ll swear to God and on your mother that it’s not your fault
As the tears come running down
Look into my eyes
Remove all lies and deceit
Eve
That aura of purity reveals diabolic anomalies
And you run from the awful monster
You’ve created
Sleep that brings no rest
You’ll cry and stage the umpteenth drama
With tears running down your burning cheeks
Eve
And you’ll swear to God and on your mother that it’s not your fault
As the tears soak your silk shirt
Believe me it was an evil spell
The work of witchcraft
I was not in possession of my faculties
And you’ll cry and stage the umpteenth drama
With tears running down your burning cheeks
Eve
And you’ll swear to God and on your mother that it’s not your fault
As the tears come running down
Mary Chain was patiently waiting her turn to receive holy communion.
That Sunday Jesus Christ on the cross looked even more sorrowful than usual.
The old priest had been absolving his flock
Of the usual sins for more than twenty years.
Jesus Christ on the cross looked somewhat disheartened
By those small town vices
Above all the uncontrollable desire to resort
to buttered, baked and ready-to-eat gossip
What delicious morsels and petty titbits to tickle the appetites of the vulgar
With their big, asbestos-lined mouths, stinking like stagnant pools.
Jesus Christ on the cross
Seemed more bothered by those abominations than by the nails
Mary Chain you know what it feels like
To have a lump in your throat.
Choking back tears of rage and bitterness
Because of wrongs you never committed.
And you’re still serving an unfair sentence
In the gloomy circle of malicious gossip.
And you wonder whether your name
was more an omen than a spiteful trick.
Mary Chain didn’t know how to react
When the priest refused to give her holy communion
And in her pain she smothered an unspoken amen
along with her humiliation.
According to an ancient proverb
in the long run all lies become truths
Jesus Christ smiled indulgently almost in disbelief.
Mary Chain you know what it feels like
To have a lump in your throat.
Choking back tears of rage and bitterness
Because of wrongs you never committed.
And you’re still serving an unfair sentence
In the gloomy circle of malicious gossip.
And you wonder whether your name
was more an omen than a spiteful trick.
Into the third month of her hysterical pregnancy
A soft maternal glow could already be seen on her face
She would say: Maddalena would make an original name
And Sofia too and if it’s a boy, Vincenzo Maria.
In the sixth month of hysterical pregnancy
Everybody thought it best not to trouble the truth
Assailed by remorse for having pressured her
Into having a baby while still fertile
As she awaited the joyful event that would never take place
She bought maternity clothes and an old-fashioned wooden cradle
Her eyes spoke of the immeasurable happiness of sweet expectation
In the ninth month of hysterical pregnancy
Everybody was still keeping up the illusion out of cowardice
It was just a matter of time before that regrettable misunderstanding
For which only she was to blame would be clear to her.
As she awaited the joyful event that would never take place
She could feel it move with superb grace
Like a performing trapeze artist
Her eyes spoke of the immeasurable happiness of sweet expectation
As she awaited the joyful event
She already had everything planned
The priest, the Christening, the hospital
From the old-fashioned wooden cradle
To a selection of musical boxes.
Slowly, magically,
Sweet expectation,
Sweet expectation
Much has already been said
And daring words won’t feed illusions:
Winter is knocking at the door.
A guest just returned from a long journey
Hungry glances begging for a little taste
Of other people’s lives.
Before dawn
we might be caught
Carried away in the arms of Morpheus
To where clear waters devour our footsteps on the shores of our dreams
They surround us, move closer with a watchful pace
like beasts lying in wait
Run away, Romeo from the tyranny of time
It is not the nightingale’s but the lark’s song
Voracious looks pounce shamelessly
on that noble repast
Before dawn we might be caught
Carried away in the arms of Morpheus
To where clear waters devour our footsteps
Before dawn we might be caught
Carried away in the arms of Morpheus
To where clear waters devour our footsteps
on the shores of our dreams
The slope of abandonment is steep and treacherous.
The good Lord above, devastated and compassionate,
is unresponsive to human richness and misery.
Oblivion shall reign supreme as a precious remedy for the
helplessness and cruelty of a shameful farewell
unexpectedly inflicted by one who pledged loyalty.
But a warm wind will herald the return of better times.
The good Lord above, devastated and compassionate,
is unresponsive to human richness and misery.
Oblivion shall reign supreme as a vile expedient for the
helplessness and cruelty of a shameful farewell
unexpectedly inflicted by one who pledged loyalty.
But a warm wind will herald the return of better times.
But a warm wind will herald the return of better times.
But a warm wind will shape the severity of harsh winters.
She could be seen every morning
In her green coat and eccentric red shoes
For nearly twenty years at the window
With a rosary at her breast and a prayer in her throat.
She could be seen every morning walking up to the postman
And returning disappointed by
A 20-year wait for news that can only be termed painful.
It was as if an angel had come to visit her
He had big eyes and a cortege of clouds
Encircling huge white wings
Through the pitiless passage of time
She nurtured the hope that her son, missing in action, would return.
During the afternoons at the window
She would fix her eyes on a spot contended by boredom and bliss
It was as if an angel had come to visit her
He had big eyes and a cortege of clouds
Encircling huge white wings
Heavenly features, big intense eyes
The custodians of a sad farewell
It was as if an angel had come to visit her
He had big eyes and a cortege of clouds
Encircling his huge white wings
Heavenly features, big intense eyes
The custodians of a sad farewell
They call it popular consciousness
and it is an unusual fever that
Offends reason and feeds the ideals of equality
I will not let this hideous epidemic infect the spirit
of the people, I will spread terror among them
And brandish my sceptre against rebellion
The night looks on but offers no advice.
It drags dismay and oppressive hours along with it
In pitch black darkness like rage and agony
His majesty seeks peace and quiet among silk pillows
Searching for the sleep of the just
Among precious marble and frescoed ceilings
Looking for an oasis of spiritual peace
I will not give this unruly mob any means of escape.
A dog that has already bitten his master
will try and do it again one day.
Night is like falling and having nothing to hold on to
The screeching friction of nightmares and regret
A vacuum with no air, no hope, no clarity of thought
His majesty seeks peace and quiet among silk pillows
Searching for the sleep of the just
Among precious marble and frescoed ceilings
Looking for an oasis of spiritual peace far enough away
To forget the brutality imposed to demand blind obedience
His majesty seeks peace and quiet among silk pillows
But the sleep of the just is the domain of
a kingdom called clarity of conscience.
He will come to a compromise with God.
And by building shrines studded with diamonds
He will obtain leniency and the faculty
To reverse the meaning of the commandments.
Orire ni t'agbado
orire ni t'agbado
orire ni t'agbado
Agbado rin hoho wa le
Orire ...
Ile aye wa
Edje amoura si
Ile aye wa
Itche gbogbo wa ni
Cradle me more than ever
wrap me up in a warm hug
talk to me more than ever
feed me
Mother Earth
Orire...
Cradle me more than ever
wrap me in a warm hug
talk to me more than ever
feed me
Mother Earth
Sometimes hot summer nights
wear an exotic smile
like a joyful and intense Africa
violated, abused and offended
maternal and fierce
Cradle me more than ever
wrap me in a warm hug
talk to me more than ever
feed me
Mother Earth
Orire...
Dear Mr Waver it’s not easy
To take responsibility for your choices
Even to use your own words
Wear a disguise and live bathing in reflected glory
Deep in the murky waters
Of despicable lies and deceit
Inferiority complexes and
Cumbersome delusions of grandeur.
Mr Waver it’s nothing to be ashamed of
Never knowing how to hit the target
Having hopelessly missed the mark for the umpteenth time,
And it doesn’t really matter if
Your wife does nothing but cry
Obsessed by the suspicion of your many infidelities
She swallows her pain and confusion with excessive doses of tranquillizers.
Feeling downhearted has become a habit, Mr Waver
Not living up to your own ambitions
Having to elbow your way to stand out from the crowd.
Ignorance is a considerable complex to have,
An abyss that can be covered up in silence
dodging the danger of facing a mild form of direct confrontation.
Mr Waver it’s no disgrace
to have no talent,
to be forever trying not to miss the boat
And it doesn’t really matter if
Your wife does nothing but cry
Obsessed by the suspicion of your numerous infidelities
And quite frankly she’s not entirely wrong
And it’s no coincidence that
Friends, lovers, and dreams all disappear
The dog on the balcony has been waiting for months
For the privilege of being taken for a walk and yet
every evening he’s faithfully and ecstatically happy you’re home
And it doesn’t really matter if
Your wife does nothing but cry
Obsessed by the suspicion of your numerous infidelities
And quite frankly she’s not entirely wrong
And it’s no coincidence that
Friends, lovers, and dreams all disappear
The dog on the balcony has been waiting for months
For the privilege of being petted
And meanwhile your daughter asks you
Why life is so miserable.
The thought suddenly strikes me
Wiping out all modesty and defence.
I had suffocated that stupid inclination
for taking flights of fancy and
spending time heartrendingly and heroically waiting
And I’ll survive this lack of oxygen
Despite treacherous streams I shall reach
the bottom of the abyss amid the ancient splendours
Of a world submerged for thousands of years.
I stupidly feared the immense, merciless beauty,
The depth in your eyes.
This thought makes my awakening sweet
Shaking me out of my stupor, the usual sluggishness.
Lost fragrances come to life again amid enchanted mountains
Great expectations swept away by the fury of stormy oceans.
Surrounded by a miraculous atmosphere
Meanwhile Atlantis
Smiles and looks at us amicably.
In the depths of the abyss, ancient splendours
Of a world submerged for thousands of years
I stupidly feared the immense, merciless beauty,
The depth in your eyes.
Lyrics and music by Carmen Consoli except: Il pendio dell’abbandono (lyrics by Carmen Consoli, music by Goran Bregovic), Madre Terra (lyrics and music di Angelique Kidjo and Carmen Consoli), La dolce attesa (lyrics by Carmen Consoli, music by Carmen Consoli and Santi Pulvirenti)
La dolce attesa includes 22’’ from Ninna Nanna di la guerra played by Rosa Balistreri (translation and re-elaboration by Rosa Balistreri and Otello Profazio) P) 1978 Warner Music Italia srl by kind permission of Warner Music Italia srl
Produced by Francesco Barbaro
Artistic production: Carmen Consoli, Massimo Roccaforte and Gianluca Vaccaro
Arranged by Carmen Consoli, Leandro Misuriello, Puccio Panettieri, Santi Pulvirenti, Massimo Roccaforte
Recorded by Gianluca Vaccaro at Due Parole Studio, Catania
Recordings assistant: Tommaso Galati
Mixed by Gianluca Vaccaro at Quattro Uno Recording Studios, Roma
Mixing assistants: Marco Salvatore, Massimo Stefani
Mastered by Bernie Grundman at Bernie Grundman Mastering, Los Angeles
Production assistant: Salvo Noto Backline “Alto Volume” Catania
Musical edition: Universal Music Italia srl - Narciso Records s.a.s. except: Il pendio dell’abbandono (Universal Music Italia srl - Narciso Records s.a.s. - Universal Music France) and Madre Terra (Universal Music Italia srl - Narciso Records s.a.s. - Aye Sarl)