"Quest'album ha segnato un passaggio fondamentale, e per me ha il valore di un esordio. Al di là della complessità dei suoni, del coinvolgimento emotivo e dello sforzo che ci è voluto per mettere a punto il meccanismo, è stato registrato live come si faceva un tempo, e quindi ha fissato per la prima volta su disco la mia vera voce: una voce che non è quella delle session in studio, dato che per cantare al meglio ho bisogno del rapporto con il pubblico e della carica che è in grado di darmi.
Il concetto è quello di presentare molta della mia musica nella sua versione più matura e secondo me più bella. In questa occasione, la barriera tra rock e pop sinfonico non esiste: se le parti degli archi fossero eseguite da chitarre, verrebbe fuori un suono potentissimo. Quello che ho fatto indossare alle mie canzoni è un vestito chiassoso del 1950, che nella sostanza è uguale a un vestito chiassoso del 2000."
* tratto da Carmen Consoli - Quello che sento, F. Guglielmi - GIUNTI Editore 2006
Now that my blood is infected
nobody will want to lick my wounds anymore
and I have found all the gold in the world
in my pockets, isn’t that great
I even got through winter
and I prayed long and hard
I even got through winter
and I sang.......
Now that I feel really, really cold
I can count on the warm embrace of two blankets
and I have found all the emptiness in the world
in a compassionate caress
I even got through winter
and I prayed long and hard
I even got through winter
and I sang for a long time…
(A) and I’m not tired at all
and I’m not tired at all
and I’m not tired at all
and I’m not tired at all
Now that I’m in this hell hole
angels, friends and brothers have taken flight
and I have found all the emptiness in the world
in your pockets, in your remorse
I even got through winter
and I prayed long and hard
I even got through winter
and I sang for a long time…
(A)(x2)………
now that I’ve lost everything
Narcissist, butter me up with words
That melt under the hot breath of passion
Narcissist, transparency and mystery
Cover me with oil, almonds and vanity
Shape me…
Tell me the stories you like to invent
Frighten me
Tell me about new exciting victories
Win me over, invent me, give me a new identity
Stun me, leave me defenceless and then strike
Embrace me and intoxicate me with irony and sensuality
Narcissist, butter me up with words
That hide the proverbial selfishness of your intentions
Narcissist, what a sublime façade
Shower me with elegant lavish attentions
Inspire me
Tell me the stories you like to invent
Frighten me
Tell me about new exciting victories
Win me over, invent me, give me a new identity
Stun me, leave me defenceless and then strike
Embrace me and intoxicate me with irony and sensuality
Embrace me and intoxicate me with irony and sensuality
Win me over
Win me over
Win me over
Fortunately I still have the common sense
to question myself
I’d gladly do without your handbooks
on self-esteem
Fortunately the agonizing procession of flowers from you
ended several days ago
I’m still throwing up our last romantic
meal together...
sad, bored and dried out
I would be your tainted Venus
sad, bored and dried out
I would be no use as prey
(A) you’ll see you’ll see in the end
you’ll get a sordid thank you, you will
the appropriate smile just right for the occasion, you’ll see…
Fortunately I always make the mistake
of not taking myself too seriously
and I can gladly do without
your practical sex and success …
sad, bored and dried out
I would be your tainted Venus
sad, bored and dried out
I would be your tainted Venus
I would be no use as prey…
(A)(x2)………
I can still smell your fuming words
your words on me
that’s the only thing
you left me....
sad, bored and dried out I would be
your tainted Venus (x5)
Maybe I won’t be able to give you the best
many times you found my efforts useless
Maybe I won’t be able to give you the best
many times you found my gestures ridiculous
(A) as if having given up on myself
weren’t enough
as if all the power of my love
weren’t enough....
(B) and all I did was feel like a misfit
so I changed everything about me
because I wasn’t enough
and I have only just realized that you were ......frightened
maybe I won’t be able to give you the best
but I added things up and discovered that I don’t have more to give
(A)………
and all I did was feel like a misfit
and I changed everything about me
because I wasn’t enough
and I have only just realized
(B)………
Fiery caresses
That enviable savoir-faire
Oh so sweet, intense and brutal !
What noble poetry
in your bank account
Oh father, lover, master !
In sickness and in health
Till death us do part
Dizzy passion
Oh my insatiable beast
In your warm and welcoming harem
In sickness and in health
Till death us do part
Make me your geisha
Make me your humble servant (x 2)
Make me your geisha
Your geisha (x 4)
You look for shelter and brotherly love
You hold your arms out towards the mirror
you stumble and with a stern look on your face
you mumble a sad Modugno song
about violins played by the wind
the last kiss my sweet child
burns on your face like drops of lemon juice
the courageous bravery of a ferocious farewell
but those are tears and it’s raining
and it’s raining
it’s raining …
Magical quiet, veiled indulgence
After a relentless storm
You catch your breath and with intense ardour
Celebrate a meek, unusual awakening
A thousand violins played by the wind
The last embrace my beloved child
In the tenuous memory of a silver rainfall
A remorseless sense of no return
In those violins played by the wind
The last kiss my sweet child
burns on your face like drops of lemon juice
the courageous bravery of a ferocious farewell
but those are tears and it’s raining
and it’s raining
and it’s raining
it’s raining …
I’m looking at a photo of my mother
She was happy she must have been about three
She was clutching a doll close to her chest
A most coveted gift.
It was her birthday party
In faded black and white .
I look at my mother in those days and I see
The same smile on her face as mine.
And to think of all the times I felt she was distant
And to think of all the times…
I would have liked to talk to her about me at least ask her to explain
Those long hostile moments of silence and indifference
Invariably
I would appear inflexible, beyond reach and proud
Deeply resolute fearing foolish rivalry
I’m looking at a photo of my mother
She was happy she must have been about twenty
Hair tied up in a silk scarf
A vacant look upon her face.
A clear view of a radiant Catania
In the sixties
I scrutinize her closely and thoroughly and find
The same look on her face as mine.
And to think of all the times I felt she was distant
And to think of all the times…
I would have liked to talk to her about me at least ask her to explain
Those long hostile moments of silence and arbitrary indolence
Invariably
I would appear inflexible, beyond reach and proud
Deeply resolute fearing an innate rivalry.
I would have liked to talk to her about me at least ask her to explain...
I would have liked to talk to her about me at least ask her to explain...
You know full well that a drop in the sky is a deluge
so small is the world that observes us
You know full well that I’m not asking for much now
so clear is the sea that listens to us and sends us to sleep
(A) I’d like to try
I’d like to offer you my hands
I’d like to try
I’d like to protect this moment
(B) and I think I feel confused and happy
and I think I feel confused and happy
and I think I feel...
Ah… ah… ah… ah…
You know full well that I’m trembling and it’s not cold
and I’m a victim of this immense joy
you know full well that nothing can affect us now
so fragile is the world that awaits us, that scares us
(A)………
I’d like to try again
I’d like to protect this moment
(B)………
confused and happy
confused and happy
confused and happy
you know full well that a drop in the sky is a deluge
so small is the world that observes us
On the verge of glory that does not exist
Disenchanted, powerless for having
Lost sight of
Lost sight of
yourself
Hanging on to the cries of a crowd that does not exist
Bitter, disoriented for having
Lost sight of
Lost sight of
Yourself
You’re living in a state of precarious equilibrium
Lying in the shade
Of a life that does not exist
Feeling torment and regret
For having
Lost sight of
Lost sight of
Yourself
You’re living in a state of precarious equilibrium
On the verge of glory that does not exist
Demotivated, dissatisfied for having
Lost sight of
Lost sight of
yourself
I eveileb ni em, I eveileb ni em
ni ym evol
I eveileb ni em, I eveileb ni em
ni ym evol
rof tra, rof tra
ew eid
You are not obliged to understand me
I almost don’t feel the need to insist
you offered me a love made of plastic
but did you ever ask yourself if deceiving me was the honest thing to do
Remember you’re the one that’s not there when I cry
You’re the one that doesn’t know when my birthday is
When I’m floundering in the dark
But how can I give my heart and soul and be able to believe
that everything is more or less easy when it’s impossible
I wanted to be stronger than all your uncertainties
but I can’t make do
with a love made of plastic if that’s all you can give me
You are the fire that’s difficult to light
There’s no excuse but yet you know how to confuse me
Remember you’re the one that’s not there when I cry
You’re the one that doesn’t know when my birthday is
When I’m floundering in the dark
But how can I give my heart and soul and be able to believe
that everything is more or less easy when it’s impossible
I wanted to be stronger than all your uncertainties
but I can’t make do
with a love made of plastic if that’s all you can give me
I wanted to be stronger than all your uncertainties
but I can’t make do
with a love made of plastic if that’s all you can give me
but I can’t make do
with a love made of plastic if that’s all you can give me
I confess I did it on purpose
I intended to hurt you
I may seem somewhat stupid to you
Certainly immature
For all the times I instinctively felt the need to hold you
For all the times I seriously felt
I could erase you from my mind
Erase you from my mind
Erase you
Based on no logic whatsoever
I admit I felt secure
In my papier-maché shell
I acted so that
I would not appear incoherent
For all those times when I tried not to indulge you
For all those times when I seriously believed
I could erase you from my mind
Erase you from my mind
Erase you
Based on no logic whatsoever
No logic whatsoever
Amado mio, love me forever
and let forever begin tonight
when we're together, amado mio
I don't care whether it's from the right
Many times I've whispered
Amado mio
it was just a phrase
that I heard in plays
I was acting a part
But now when I whisper
Amado mio
can't you tell I care
by the feeling there
for it comes from my heart
I watched her hands insolently teasing an artificial rose
And the way she concealed her embarrassment
was so sweet
as she talked about her misfortunes
smiling ironically and keeping her eyes lowered
I watched her hands folding and unfolding
Between the embroidery of the tablecloth
I could hardly stop myself from
Grabbing hold of them, attacking her pain
The taste of a frugal meal mixed with the odour of incense
Memories dulled by time
Although she was no different from many, many other people
She was special.....special
I watched her hands elegantly
emphasizing her opinions
with unexpected resemblance
symbiotic intuition friendly zeal
The taste of a frugal meal mixed with the odour of incense
Memories faded by time
Although she was no different from many, many other people
She was special.......special
I let myself be seduced by her obsessions
I let myself be seduced by her obsessions
I let myself be seduced by her obsessions
I met her a number of times when she was rather drunk
They called her the Countess of Misery
Because of her arid disposition
She was desperately lonely
On the threshold of sixty
Sadly wrapped in garish ostrich feathers and vulgar-looking metal jewellery
Written on the wall of her house
Countess of Misery
Sooner or later life
Pays off its debt
Countess of Misery
Sooner or later life takes you by surprise
In her eyes lay the constant fear of the passing of time
And she would have given anything to have the elixir
Of long life
She was desperately lonely
On the threshold of sixty
Sweetly engrossed in glorious memories steeped in powder, blusher and ‘rien ne va plus’
Countess of Misery
Sooner or later life
Pays off its debt
Countess of Misery
Sooner or later life takes you by surprise
Without asking permission
Without prior warning
Countess of Misery
Her mind in hibernation since the age of twenty
Victim of the century’s deceptive
Pursuit of the icons of beauty
And cosmetic surgery
Countess of Misery
The mind doesn’t change
Countess of Misery
The mind doesn’t change
Countess of Misery
The mind doesn’t change
Countess of Misery
The mind doesn’t change
Produced by Francesco Barbaro and Maurizio Nicotra
Artistic production: Carmen Consoli
Arrangements: Carmen Consoli e Massimo Roccaforte
Orchestral arrangements: Paolo Buonvino
Sound Engineer: Maurizio Nicotra
Conductor: Paolo Buonvino
Band:
Carmen Consoli: voice and guitar
Massimo Roccaforte: guitar and mandolin
Leandro Misuriello: acoustic bass and contrabass
Puccio Panettieri: drums and percussions
Elena Majoni: violin
Eszter Nagypal: cello
Tony Brundo: piano
Vincenzo Cavalli: Conductor assistant
Orchestra del Teatro Vittorio Emanuele di Messina
Recorded at Teatro Greco di Taormina 14 and 15 July 2001 and mixed at Forum Music Village, Rome, by Maurizio Nicotra
Mastered at Sterling Sound, New York by George Marino